"Chesire, Ohio" Part of the Plume series. 2009-2010.
"Sunday Morning" Part of the Removing Mountains series, 2007.
"Kudzu" Part of the Removing Mountains series, 2007.
"Larry Gibson's Chair" Part of the Removing Mountains series, 2007.
"Slurry Impoundment" Part of the Removing Mountains series, 2007.
"Old Coal Supports" Part of the Plume series. 2009-2010.
*no size or image details listed*
I found Daniel Shea’s work on The Photography Post Blog. It
was particularly interesting to me because it reminded me of my first
self-assigned photographic project. In 2007, I drove from the beginning of
route 250 (also known as Broad Street), to the end. The road starts in Church Hill
and ends at the edge of Lake Eerie in Ohio. 250 took us deep through
Appalachia, passing through abandoned coal mining towns as well as obviously
economically devastated communities. I’ve always been interested in
photographing rural communities and their residents. Shea’s work explores these
locales through two projects; Removing
Mountains “which focused on mountaintop removal, a particularly pervasive
form of coal mining” as well as Plume,
which “tracks this coal up river to Ohio, where it is being burned to generate
electricity”. I think that Shea approached his subjects and subject matter in a tactful and respectful way. I don't get the sense of exploitation in the portraits of the residents, and his political slant isn't too overwhelming. "Plume, 2009-2010." Daniel Shea. Web. 25 Sep
2011. <http://www.danielpshea.com/projects/plume/>.
Biography:
Daniel Shea graduated from Maryland Institute College of Art
with a BFA in 2007. He is anticipating on graduating with an MFA from the
University of Illinois at Chicago in 2013. He has had three artist residencies,
two during 2010 at Acre Residency and Harold Arts Residency, as well as Kelly
Kacyznski’s Unnamed Future Space in 2011. His partial client and publication
list includes TIME, Nylon, The Wall Street Journal, Popular Mechanics, Rolling
Stone, and National Public Radio.
Quotes:
"I approached the situation with sincere and 100% genuine reverence. I’ve learned so much from listening to other people over the years, especially in the context of struggle. Coming to this region as a complete outsider was something I was constantly aware of. I reconciled my position of privilege only by gradually increasing my place in the community from passive witness to an involved artist. That being said, again, I had to maintain the perception of neutrality, so I was clearly not in the region as an activist (despite living with some of the most amazing activists I have ever met). I expected my transition into the community to be slow, however the people I lived with, and the folks involved in the fight against MTR were exceedingly warm and welcoming and made my stay there feel like home.” Bakacs, Andrea. "Interview with Daniel Shea." Photography for a Greener Planet. Web. 25 Sep 2011. <http://photographyforagreenerplanet.wordpress.com/2009/05/20/interview-with-daniel-shea/>.
Gallery: Shea isn’t affiliated with one
particular gallery. However, he has been partaking in one-and –two person
exhibitions as well as group exhibitions since 2005. Some of these galleries
include Festival Alt + 1000 in Switzerland, The Center for Art and Culture in
Aix-en-Provence, France, Museum of Contemporary Photography in Chicago, IL, and
Stripeman Gallery in Brooklyn, NY. You
can find a more complete list of this exhibitions here: http://www.danielpshea.com/cv/ .
Artist Website: http://www.danielpshea.com/
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